I’m sorry, but just because Dwight and Sherry found each other doesn’t qualify them for this task.
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No, what Strand needs is a tracker, or even a bounty hunter, like Josiah-someone who knows how to find people that don’t want to be found. Why would he seek the aid of “ethical outlaws” to find a missing person? That’s not what the Dark Horses are known for-at all. So, sure, why not laugh at how contrived all of this feels?Īs for why Strand has summoned them-this is likewise laughable. It’s interesting that he finds this surprise reunion so amusing-because, really, the world that these characters inhabit is way too small. You see, while Strand has heard tell of the Dark Horses, he had no idea it was Dwight and Sherry behind these exploits. And the idea that their reputation already precedes them a scant two months after taking up the Dark Horses mantle? I’m sorry, but I found that a bit laughable.īut it’s not until Dwight and Sherry are forcibly brought before Strand that “Till Death” completely divorces itself from logic. Why revisit this theme when it proved so disastrous the first time? Sure, the Dark Horses’ cause is a noble one, but here, now, it just falls flat.
Why should viewers care about solving a 40-year-old murder case, or Sarah’s sudden interest in finding Wendell? Those both felt like filler episodes to me, and “Till Death” likewise does little to advance the overall story.Īustin Amelio and Christine Evangelista give this week’s tepid, nonsensical script their all, but even so, why should we care about the Dark Horses and their code? Does it really matter that Dwight and Sherry have become “peace officers of a modern frontier?” Fear the Walking Deadalready explored the pitfalls of being Good Samaritans-to deleterious effect-in previous seasons. Much of my frustration (as both reviewer and fan) stems from my disappointment with this season’s aimlessness. While I tend to take very extensive notes for each episode, what sets “Till Death” apart is that much of my notes is devoted to ranting. Sitting down to write this review of “Till Death,” I was surprised that the word count for just my notes was a whopping 1,400 words. Gimple, Showrunners Andrew Chambliss and Ian Goldberg, Robert Kirkman, Gale Anne Hurd, Greg Nicotero and David Alpert and is produced by AMC Studios.This Fear the Walking Dead review contains spoilers. With Alicia declaring war, Strand’s paranoia and personal vendettas grow, and with that, new threats emerge from all sides.įear the Walking Dead is executive produced by Scott M. Morgan (Lennie James,) trying to maintain hope that he will be reunited with his family, knows Alicia is key to their survival. Alicia (Alycia Debnam-Carey,) now the reluctant leader to Teddy’s former followers, is plagued by a mysterious illness and the repercussions of her past actions. The other members of the group have suffered immensely, but out of that, has come a fierce determination to live, even if it means taking Strand’s Tower by force and continuing the search for Padre, a mythical place no one is sure really exists. Having built a fiefdom, he callously selects who will have a chance at life. In the second half of Season 7, months have passed after the nuclear blast and the only one thriving is Victor Strand (Colman Domingo). “Kim Dickens’ raw talent, strength, and brilliance will electrify TWDU once more and we couldn’t be luckier to have her back.”įear the Walking Dead will join AMC’s biggest lineup of original programming ever in 2022, which also includes the final season of mothership The Walking Dead. Gimple, Chief Content Officer of The Walking Dead Universe.
Madison Clark is a foundational character to TWDU - heroic, complex, an everyperson who becomes a warrior and then a force of benevolence,” said Scott M. Deadmore, Kim Dickens’ face would be on it.
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